Second melodic style of Soleá de Frijones, performed by Tomás Pavón in 1947 with the guitar of Melchor de Marchena.
Recent research indicates that he may have been Antonio Vicente Rafael María de Regla Vargas Fernández, born in 1846 in Jerez and the first cousin of la Serneta.
This is the most popular of Jerez styles. The first line reaches a higher note than the preceding style. Luis and Ramón Soler describe the unique structure of this style, in which the third sung line is linked to the second, the fifth is linked to the fourth and the sixth line is sung separately. The second line of verse is the descent of the melodic arc.
Source: www.canteytoque.es

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